Gaslight
About a month ago, we performed some short experiments utilizing a “gaslight emulsion.” While not a common emulsion for motion picture film, “gaslight emulsion” (which is typically a pure chloride […]
This author has yet to write their bio.Meanwhile lets just say that we are proud Process Reversal contributed a whooping 7 entries.
About a month ago, we performed some short experiments utilizing a “gaslight emulsion.” While not a common emulsion for motion picture film, “gaslight emulsion” (which is typically a pure chloride […]
Following the workshop on reshaping and lighting film emulsion, Sarah Biagini explores the use of bleach-etching (a.k.a. Mordancage) on Kodak 3383 Color Print Stock. Below are some of the results. Additionally, […]
We’ve gotten around to editing a short video compilation of some of the film strips produced during our workshop Зеркало: Reshaping & Lighting Film Emulsion. In this video, we produced […]
Here are a few Images from our Tinting & Toning workshop held last July, The Color of Salt. During the workshop, we found a 35mm black & white print which […]
Below is a short, graphic study of the color bleach etching technique. This technique requires the use of skip-bleached color film which was generously provided by Nicolas Rey & l’abominable. […]
A few images from our previous workshop, Зеркало: Reshaping and Lighting Film Emulsion. In this workshop, we explored a variety of techniques for physically and chemically altering the films emulsion, […]
With the discontinuation of Kodak Ektachrome, a new source of color reversal has been made available in the form of re-slit Aviphot Chrome 200D. More information here. [Below: a sample […]